Paul Cowell Music
  • Home
  • About
  • Music
  • Scores
    • Arrangements
    • Free Scores
  • Links
  • Contact
    • Privacy Policy
  • Blog

Concert tonight

30/4/2016

0 Comments

 
Picture
Tonight, Lineage Percussion are playing the première of my piece Watching in the white sunshine at the University of Georgia.
0 Comments

Music for viola da gamba

25/4/2016

0 Comments

 
Picture
Two of my pieces for viola da gamba (as in the picture, below the hat) and piano are finalists in a call for scores for viola da gamba and piano. They may "be recorded by violist da gamba Andrew Arceci and/or presented on concerts throughout the United States, Italy, and/or Thailand."

Both pieces are Prayers from inside the Ark, which I have blogged about before. The inspiration is a selection of poems by Carmen Bernos de Gasztold called Prières dans l'Arche. This time, they are the prayers of the glow-worm (prière du ver luisant) and the butterfly (prière du papillon).

The picture opposite is A young woman playing a viola da gamba by Gerrit Van Honthorst (1592 - 1656). He was a prolific artist, who cultivated the style of Caravaggio, often tavern scenes with musicians, gamblers and people eating. He had great skill at chiaroscuro, often painting scenes illuminated by a single candle.

Carmen Bernos de Gasztold was a French nun of Lithuanian descent. Prières dans L'Arche (Prayers from inside the Ark) were intended for children, and are imaginative and moving views of what the various animals in the Ark (and Noah) might ask for. The cat says it doesn't really want anything, but if there happened to be some milk, it might know someone who would appreciate it. The dog wants security; the monkey wants to be taken seriously. The raven revels in the destruction of the flood, and the dove wants to bring hope to those in the Ark.

These two prayers are from the scatter-brained butterfly and the feeble glow-worm who says, ‘My God, won’t you move your light a little further away? I am just a cinder, and my heart can only shine at night: a feeble star of hope to show a gleam of joy to other hearts. So be it – Amen.’

The butterfly prays, ‘Lord! Where was I? Oh yes! This flower, the sun – thank you. Creation is beautiful, the scent of roses… Where was I? Dew rolls fiery joy into the heart of a lily. I must go… but where, I don’t know. The wind has painted its fantasies on my wings. Where was I? Oh yes Lord, I have something to tell you.’

0 Comments

Cantus for euphonium

19/4/2016

0 Comments

 
Picture
I have a piece in the final of a competition for a work for solo euphonium (bombardino) and strings. There was going to be a concert of the final four pieces in April by the “Ciudad de Orihuela” Orchestra in Orihuela, which is near Alicante in the Comunitat Valenciana in Spain, but this has been postponed. I'm not sure of the reasons as there is a bit of a language barrier.
The piece I wrote was based on plainchant '
Christi miles gloriosus' used at the feast of St Vincent. He is the patron saint of the Comunitat Valenciana. I also used one of my favourite ingredients, birdsongs from that area of Spain.
0 Comments

Performance at the University of Georgia

15/4/2016

0 Comments

 
Picture
Lineage Percussion will be playing 'Watching in the white sunshine' at 6:00pm at the University of Georgia on 29 April. I won third prize in New Sound Publications' 2016 Call for Scores with this piece for percussion trio.
The programme note I have written for the suite of four mouvements is below. Barry painted the wonderful picture of magpies for the cover of the score.

‘Watching in the white sunshine’ is a quote from the 1924 poem The Gentle Water Bird by John Shaw Neilson, a poet born in Panolla, South Australia. The poem describes his transition from a fearful, thunder-blue state of mind to the pure white, joyous light as he observed a water bird.
The percussion trio was written for the Lineage Percussion in 2016, and is inspired by the calls of Australian birds. In the first movement, ‘By the water,’ the quiet, reclusive Australian reed warbler sings its complicated song from its hiding-place near the water. In the second movement, dawn is announced by the abrupt call of the Eastern yellow robin.  The grey butcherbird then sings its long liquid song of short bubbling phrases played on tom-toms, echoed by the marimba. The third movement, ‘Rainforest,’ is more exotic. The strange-sounding Eastern whipbird stands out from the indistinct, dark background under the tree canopy. The calls of the dusty Emu in the fourth movement, ‘In the bush,’ hardly sound like birdsong. The strange elusive grunts sound through the hot, dry land and then fade away.

0 Comments

Reimagining Schubert on YouTube

2/4/2016

0 Comments

 
The Composer's Voice has uploaded a video of the concert on Broadway on 24 October 2015 when Stephen Porter played my piece, Leise flehen die Lieder for piano. Mine was the first in a series of fifteen one-minute pieces related to Schubert.
​The video is on YouTube.
The programme note I wrote for the occasion was:
Although it may not sound like it, 'Leise flehen die Lieder' (The songs beckon softly) is derived from Schubert's songs. An accompanying figure from one, characteristic motifs from several places, harmonies from others.  These are worked up into a repeating form like those Schubert used. 
0 Comments

    Paul Cowell

    A blog about my music

    Archives

    March 2018
    November 2017
    September 2017
    April 2017
    January 2017
    December 2016
    November 2016
    August 2016
    June 2016
    April 2016
    March 2016
    February 2016
    January 2016
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.